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Rabu, 29 Februari 2012

The Boss Full Movie In Arabic

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Academy Award (R)-nominated star Melissa McCarthy (Bridesmaids, The Heat, Tammy) headlines The Boss as a titan of industry who is sent to prison after she's caught for insider trading. When she emerges ready to rebrand herself as America's latest sweetheart, not everyone she screwed over is so quick to forgive and forget. McCarthy is joined in The Boss by an all-star cast led by Kristen Bell, Peter Dinklage and Kathy Bates. Directed by Ben Falcone (Tammy), the comedy is based on an original character created by McCarthy and written by McCarthy and Falcone alongside their Groundlings collaborator, Steve Mallory. The film is produced by McCarthy and Falcone through their On the Day productions and Will Ferrell, Adam McKay and Chris Henchy through their Gary Sanchez Productions.

About The Boss

Artist : Melissa McCarthy, Kristen Bell, Peter Dinklage, Kristen Schaal, Kathy Bates
As : Michelle Darnell, Claire, Renault, Sandy
Title : The Boss Full Movie In Arabic
Release date : 2016-04-08
Movie Code : 2702724
Duration : 120
Category : comedy

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Name : Adam Graham / Alias : Detroit News
"The Boss" never feels like more than a series of bawdy, R-rated sketches held together by bubble gum and masking tape.

Name : Moira MacDonald / Alias : Seattle Times
McCarthy's trademark blend of chipper likability and treble-voiced rage just isn't quite enough to carry things through.

Name : Tom Russo / Alias : Boston Globe
The loosey-goosey fun might be a bit much at the finish, but it's still a laugh watching McCarthy try to get back on her feet.

Name : Manohla Dargis / Alias : New York Times
Sometimes it's pleasurable enough just watching the most unlikely American comedy star since Bill Murray slip into a groove.

Name : Mark Olsen / Alias : Los Angeles Times
It is hard to think of a movie squandering the opportunity of a perfectly timed cultural moment quite like "The Boss."

Name : Stephanie Zacharek / Alias : TIME Magazine
McCarthy deserves better than this. She can aim higher.

Name : Justin Chang / Alias : Variety
McCarthy remains one of the funniest actors alive - a truth that frequently rescues, but doesn't really redeem, this sloppy comedy .

Name : Melissa Anderson / Alias : Village Voice
The Boss gives its star few, if any, hitting partners. It's a baffling decision .

Name : Stephen Whitty / Alias : Newark Star-Ledger
McCarthy is great - foul-mouthed, funny and fierce. And for those of us who suffered painfully (yet hopefully) through things like "Identity Thief," the movie feels like a healthy step forward.

Name : Peter Howell / Alias : Toronto Star
Did you ever think only male comics could obsess over infantile boob, crotch and sex jokes? The Boss will set you straight on that delusion, too.

Name : David Lewis / Alias : San Francisco Chronicle
"The Boss'' provides the talented Melissa McCarthy plenty of scenery to comically chew on - she is very funny at times - but the story is paper-thin, and the script gives much of the supporting cast the proverbial pink slip.

Name : Jake Coyle / Alias : Associated Press
As in McCarthy's slipshod road movies Identity Thief and Tammy, the material here isn't on her level, the laughs are largely cheap and once again, the hall-of-fame comic actress is stuck in a minor-league movie.

Name : Jim Slotek / Alias : Toronto Sun
Well, they can't all be Bridesmaids.

Name : Ann Hornaday / Alias : Washington Post
Although her charisma is still undeniable, there's also no denying that McCarthy is capable of much more than she's allowing herself to do here. There comes a point when every force of nature starts to look just plain forced.

Name : Joe Dziemianowicz / Alias : New York Daily News
"The Boss" doesn't work.

Name : Rafer Guzman / Alias : Newsday
A hit-and-miss comedy, but McCarthy leads a game cast through several memorable moments.

Name : Richard Brody / Alias : New Yorker
The movie is all too neat a package for McCarthy's exuberantly inventive comic artistry.

Name : Peter Rainer / Alias : Christian Science Monitor
I persist in believing that Melissa McCarthy is capable of starring in a movie that not only makes a scads of money but is - you know - good. The latest refutation of my belief is The Boss.

Name : Molly Eichel / Alias : Philadelphia Inquirer
McCarthy is such a comedic powerhouse that she can play Michelle with incredible physicality and slapstick while also imbuing the character with wit, cunning, and even ruthlessness.

Name : Joshua Rothkopf / Alias : Time Out
Even though The Boss is co-written by McCarthy and her husband, director Ben Falcone (who should know his wife's strengths better), the film often strands its title character in shrill one-note caricature, mostly unchallenged.

Name : Brian Truitt / Alias : USA Today
A free-for-all of inappropriate language unsuitable for even the most crass boy's-club boardroom, The Boss can't quite decide if warming the heart or obliterating it with insults is the end goal.

Name : Mara Reinstein / Alias : Us Weekly
The gifted Melissa McCarthy has spent the bulk of her post-Bridesmaids career elevating so-so material. Add this raunchy comedy to the pile of mediocrity.

Name : Peter Travers / Alias : Rolling Stone
McCarthy is a national slapstick treasure, but The Boss is a weak-kneed comedy that would topple without her.

Name : Leah Greenblatt / Alias : Entertainment Weekly
A few moments are fantastically bonkers, but granting director duties to McCarthy's husband, Ben Falcone, feels more like an act of love than wisdom.

Name : Jesse Hassenger / Alias : AV Club
A lot of The Boss works because Michelle Darnell is a funny character, and McCarthy is funny playing her.

Name : Dan Callahan / Alias : TheWrap
It isn't comedy, and it isn't drama, much less comedy-drama.

Name : Sara Stewart / Alias : New York Post
McCarthy shines when loosely riffing, but the plot tightens around her like a vise.

Name : Colin Covert / Alias : Minneapolis Star Tribune
World-class gumption and an on-camera look that the pretty committee would applaud can't save a poorly executed comedy whose essential elements are dirty words and falling down.

Name : Michael Phillips / Alias : Chicago Tribune
"The Boss" has zero finesse as a comedy. When Darnell crashes into a wall, or takes a tumble down the stairs, it's alarming and painful, as opposed to funny.

Name : Barbara VanDenburgh / Alias : Arizona Republic
There are brief bursts of hilarity, and they are all, without exception, owed to McCarthy's innate charisma and comedic timing.

Name : Leah Pickett / Alias : Chicago Reader
Dinklage is awful as the foppish villain, and aside from one uproarious, ad-libbed riff, McCarthy seems to be on autopilot.

Name : Brad Wheeler / Alias : Globe and Mail
This is a lazy Melissa McCarthy vehicle that relies on relentless potty-mouth moments - it's so funny when otherwise decorous characters continually do the vulgar! - and the pratfall comedy of McCarthy.

Name : Frank Scheck / Alias : Hollywood Reporter
The Boss feels like an elongated sketch.

Name : Richard Roeper / Alias : Chicago Sun-Times
It's just early April, but I have an early contender for the most loathsome, ill-advised, horrible executed, most spectacularly unfunny movie scene of the year.

Name : Andrew Lapin / Alias : NPR
Nothing in the storyline, direction or character types is remotely fresh.

Name : Will Leitch / Alias : The New Republic
By making McCarthy the center of every scene without giving her an actual character to play, Falcone and McCarthy require her to carry more weight that anyone possibly could.

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Senin, 25 April 2011

Annie Cine Online

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A Broadway classic that has delighted audiences for generations comes to the big screen with a new, contemporary vision in Columbia Pictures‘ comedy, Annie. Director/Producer/Screenwriter Will Gluck teams with producers James Lassiter, Will Smith & Jada Pinkett Smith, and Shawn "JAY Z" Carter, Laurence "Jay" Brown, and Tyran "Ty Ty" Smith with a modern telling that captures the magic of the classic characters and original show that won seven Tony Awards. Celia Costas serves as Executive Producer. The screenplay is by Will Gluck and Aline Brosh McKenna, based on the musical stage play "Annie," book by Thomas Meehan, music by Charles Strouse, lyrics by Martin Charnin, and on "Little Orphan Annie," (C) and (R) Tribune Media Services, Inc. Academy Award (R) nominee Quvenzhane Wallis (Beasts of the Southern Wild) stars as Annie, a young, happy foster kid who‘s also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they‘d be back for her someday, it‘s been a hard knock life ever since with her mean foster mom Miss Hannigan (Cameron Diaz). But everything‘s about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks (Jamie Foxx) - advised by his brilliant VP, Grace (Rose Byrne) and his shrewd and scheming campaign advisor, Guy (Bobby Cannavale) - makes a thinly-veiled campaign move and takes her in. Stacks believes he‘s her guardian angel, but Annie‘s self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it‘s the other way around. (c) Sony.

About Annie

Artist : Jamie Foxx, Quvenzhane Wallis, Rose Byrne, Bobby Cannavale, Cameron Diaz
As : Will Stacks, Annie, Grace, Guy, Miss Hannigan
Title : Annie Cine Online
Release date : 2014-12-19
Movie Code : 0083564
Duration : 118
Category : Family

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Name : Neal Justin / Alias : Minneapolis Star Tribune
There's still a good film to be made of "Annie," but it'll take Broadway veterans, not box-office stars, to pull it off.

Name : David Rooney / Alias : Hollywood Reporter
The sun'll come out tomorrow, by which time this toxic mess should be forgotten.

Name : Courtney Shea / Alias : Globe and Mail
Engaging characters, infectious melodies, suspense, drama and dance extravaganzas appeal to children of all eras. If only the powers that be behind the new Annie movie had kept this basic truth in mind.

Name : Peter Rainer / Alias : Christian Science Monitor
Considering this musical has its roots in Depression-era American, Gluck's contemporary take on the material is eerily lacking in observations about the rich/poor divide in this country.

Name : Lindsey Bahr / Alias : Associated Press
This "Annie" was supposed to be for a new generation. In the harsh light of 2014, it's never looked so dated.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
"Annie" is not a great movie musical - but it's a fun time at the movies.

Name : Michael Ordona / Alias : San Francisco Chronicle
"Annie" is a shiny little pebble with nothing close to a surprise in it, set in a New York that would cause Martin Scorsese to burst into flame if he walked into it. And young kids just might like it.

Name : Elizabeth Weitzman / Alias : New York Daily News
For all the talent involved, the overall effect is surprisingly flat. Foxx appears disconnected, Byrne is wasted and a painfully hammy Diaz seems to be in another movie altogether.

Name : Claudia Puig / Alias : USA Today
Banal, shallow and markedly cynical.

Name : Betsy Sharkey / Alias : Los Angeles Times
Hard to believe the sun will come out tomorrow for the new "Annie."

Name : Richard Corliss / Alias : TIME Magazine
A teeter-totter between O.K. and Meh.

Name : Amy Nicholson / Alias : L.A. Weekly
This is an Annie for adults, only now the spin is less "Remember the social-welfare lessons of the Great Depression?" and more "Hey, rich people are nice, too."

Name : Michael Phillips / Alias : Chicago Tribune
The overall vibe of this folly is curdled and utterly blase; it's a 118-minute foregone conclusion, finesse-free and perilously low on the simple performance pleasures we look for in any musical, of any period.

Name : Ronnie Scheib / Alias : Variety
While there are several possible good reasons to remake the Depression-set musical "Annie" in 2014, none of them seem to have informed Will Gluck's overblown yet undernourished treatment.

Name : Richard Brody / Alias : New Yorker
The vigorous display of good feelings and comforting resolutions has an unusually effervescent sincerity, even if the rags-to-riches wish-fulfillment leaps over all the hard knocks.

Name : Peter Travers / Alias : Rolling Stone
It falls ignominiously on its fat one. The Sony hackers, the so-called Guardians of Peace, have leaked the new Annie online so everyone can have free access. It's their cruelest trick to date.

Name : Ty Burr / Alias : Boston Globe
By the end, the movie resembles just another formulaic, family-friendly piece of product, one the kids will enjoy and you'll endure as it goes in the DVD player for the 40th time.

Name : Jason Clark / Alias : Entertainment Weekly
Aside from an unintentional homage to Zoolander that is so tone-deaf it'll make you guffaw, Annie goes out of its way to make viewing it a hard-knock life.for us.

Name : Stephanie Merry / Alias : Washington Post
Ultimately, "Annie" is so fixated on being current that it will never be more than a passing fancy.

Name : Lou Lumenick / Alias : New York Post
Leapin' lizards! The evergreen Broadway musical "Annie'' strays far from its Depression-era roots with truly dismaying results in this crass, charmless, tineared and lead-footed update.

Name : Ben Sachs / Alias : Chicago Reader
There's a surprising amount of bite: the filmmakers openly acknowledge the similarities between the Great Depression and the present, and the populist message, however overstated, always registers as sincere.

Name : Rafer Guzman / Alias : Newsday
Wallis is adorable, but there's little magic in the new music or the barely-there choreography. A missed opportunity.

Name : David Ehrlich / Alias : Time Out New York
Annie deserves credit for illustrating that old racial prejudices don't have to be preserved by new entertainments, but this remixed rendition doesn't speak to the kids of today so much as it does to their parents' wallets.

Name : Moira MacDonald / Alias : Seattle Times
Musical purists should stay away, but little girls should have fun here, and the movie's full of goofball touches that help pass the time for the grown-ups bringing them.

Name : Steven Rea / Alias : Philadelphia Inquirer
Quvenzhane Wallis, the Oscar-nominated star of the trippy bayou indie Beasts of the Southern Wild, simply has to skip into a room - and into the frame - to light things up.

Name : Linda Barnard / Alias : Toronto Star
A movie that coasts on a disturbing greed-is-good vibe. And one that looks strangely cheap doing it.

Name : Linda Holmes / Alias : NPR
Despite any reservations about the music, it is a charming, lovely little movie.

Name : Maricar Estrella / Alias : Fort Worth Star-Telegram/DFW.com
Phenom Quvenzhane Wallis proves her Oscar nomination for Beasts of the Southern Wild was no fluke. As a modern-day Annie, Wallis shines with her sweet portrayal. However, her performance alone can't save the film from being a dim adaptation.

Name : David Edelstein / Alias : New York Magazine/Vulture
In all the ways that matter it's a missed opportunity to take a flawed musical and transform it into a powerful new myth with a particular African-American slant.

Name : James Berardinelli / Alias : ReelViews
Most remakes are unnecessary but Annie is a bigger offender than many.

Name : Christine Dolen / Alias : Miami Herald
The new Annie is jam-packed with Glee-style choreography and greed-is-good luxury. Like its predecessors, it's a fantasy. But unlike them, it's not so much heartwarming as warmed-over.

Name : Joe Morgenstern / Alias : Wall Street Journal
Where to begin in describing the awfulness of "Annie"?

Name : Kerry Lengel / Alias : Arizona Republic
The feel-good story and sing-along production numbers are likely to please the movie's target audience of tween girls, but there's not a whole lot in "Annie" to win their parents over.

Name : Inkoo Kang / Alias : TheWrap
"[A] disenchantment, even misanthropy, seeps through Will Gluck's reinterpretation of the Broadway classic."

Name : Katie Rife / Alias : AV Club
Any scene without Wallis and her gang of remarkably symmetrical, well-groomed orphans feels like a chore-"Let's just get through this," the movie seems to be saying, "Then we'll show you that cute little girl and her puppy again."

Name : Mary Houlihan / Alias : Chicago Sun-Times
Even Sandy the dog looks like he's had enough.

Name : A.O. Scott / Alias : New York Times
The cast would have been better served by a middle school production overseen by a creatively frustrated, inappropriately ambitious drama teacher than by this hacky, borderline-incompetent production .

Name : Stephen Whitty / Alias : Newark Star-Ledger
Think you've got a hard-knock life? Try sitting through the new "Annie."

Name : Nancy Churnin / Alias : Dallas Morning News
Most of the cast can't sing or dance, and Gluck, who co-wrote the screenplay, has no clue why this story has endured.

Name : Wesley Morris / Alias : Grantland
Did I really just watch Foxx and Wallis do an entire musical number set inside a moving helicopter? I did, and I've never felt more embarrassed for two actors, mostly because Foxx seems embarrassed for himself.

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