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Jumat, 22 Januari 2016

A Most Violent Year Cine

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Set during the winter of 1981 -- statistically one of the most crime-ridden of New York City‘s history -- A MOST VIOLENT YEAR is a drama following the lives of an immigrant and his family as they attempt to capitalize on the American Dream, while the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built. (C) A24.

About A Most Violent Year

Artist : Jessica Chastain, Oscar Isaac, Albert Brooks
As : Secret
Title : A Most Violent Year Cine
Release date : 2014-12-31
Movie Code : 2937898
Duration : 110
Category : Drama

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Stephen Whitty Comment A Most Violent Year

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's well-acted, nicely crafted and imaginatively envisioned; it shows yet another side to an interesting and rapidly developing filmmaker.

Peter Travers Comment A Most Violent Year

Name : Peter Travers / Alias : Rolling Stone
Chastain is killer good, and Isaac is an implosive powerhouse in a film that reflects a world where nothing is held sacred. You watch with nerves clenched, holding on tight.

Alonso Duralde Comment A Most Violent Year

Name : Alonso Duralde / Alias : TheWrap
Just when we're settling into the film being a Lumet-ian character-driven drama, Chandor will, on more than one occasion, organically segue to an adrenaline-packed truck chase that's as exciting as any big action-movie moment of recent memory.

Scott Foundas Comment A Most Violent Year

Name : Scott Foundas / Alias : Variety
A tough, gritty, richly atmospheric thriller .

Name : David Denby / Alias : New Yorker
Some of the menacing atmosphere, and even a few scenes, descend from the first two "Godfather" movies. But, in fact, Chandor has done something startling: he has made an anti-"Godfather."

Dana Stevens Comment A Most Violent Year

Name : Dana Stevens / Alias : Slate
For me A Most Violent Year remained an abstract idea of a great period crime drama, rather than a fleshly incarnation of one.

Kenneth Turan Comment A Most Violent Year

Name : Kenneth Turan / Alias : Los Angeles Times
It brings to mind the fierce New York-based productions of Sidney Lumet in particular but also the whole notion of character-driven, the-clock-is-ticking melodramas in general.

Chris Nashawaty Comment A Most Violent Year

Name : Chris Nashawaty / Alias : Entertainment Weekly
It's the kind of uncompromising movie we don't see much of anymore. And it makes you nostalgic for a time when the world was worse and the movies were better.

Joe Neumaier Comment A Most Violent Year

Name : Joe Neumaier / Alias : New York Daily News
A movie that quietly but ferociously immerses us in a time and place, with atmosphere done in minimal yet evocative strokes.

Joshua Rothkopf Comment A Most Violent Year

Name : Joshua Rothkopf / Alias : Time Out New York
Further clarifies what might be the most promising career in American movies: an urban-headed filmmaker attuned to economies of place and time, with an eye on the vacant throne of Sidney Lumet.

Claudia Puig Comment A Most Violent Year

Name : Claudia Puig / Alias : USA Today
A revelation: meticulously constructed, brilliantly acted, suspenseful and sharply written.

Joe Morgenstern Comment A Most Violent Year

Name : Joe Morgenstern / Alias : Wall Street Journal
Mr. Chandor gives Mr. Isaac everything he needs for a tour de force performance, and the actor makes the most of what he gets.

Name : A.O. Scott / Alias : New York Times
"A Most Violent Year" presents an honorable man struggling to stay true to his values in the face of temptation. It is also the portrait of a brilliant hustler working a very long con. It's a terrific movie either way.

David Edelstein Comment A Most Violent Year

Name : David Edelstein / Alias : New York Magazine/Vulture
It holds you with its gravity and forces your respect. It's also talky, repetitive, thesis-driven, and often strangled by its own solemnity.

Stephanie Zacharek Comment A Most Violent Year

Name : Stephanie Zacharek / Alias : Village Voice
It's really just sort of.dumb.

Tomas Hachard Comment A Most Violent Year

Name : Tomas Hachard / Alias : NPR
It bears all the hallmarks of depth except for actual wisdom.

Andrew O'Hehir Comment A Most Violent Year

Name : Andrew O'Hehir / Alias : Salon.com
All this is rendered . in memorable and exemplary fashion. And it's all just a little more boring than it ought to be.

Todd McCarthy Comment A Most Violent Year

Name : Todd McCarthy / Alias : Hollywood Reporter
[Chandor] peels back the layers of his story and characters with the skill of an expert dramatist.

Peter Rainer Comment A Most Violent Year

Name : Peter Rainer / Alias : Christian Science Monitor
It's a gangster movie that tries to be more than that, not always successfully.

Mike D'Angelo Comment A Most Violent Year

Name : Mike D'Angelo / Alias : AV Club
Can Chandor make a first-rate film that isn't a testosterone fest? That's the next challenge-one that he shares with the industry as a whole.

Andrew Lapin Comment A Most Violent Year

Name : Andrew Lapin / Alias : NPR
The beats of the movie, not to mention the winking title and the time period, make A Most Violent Year feel like it should be another bloody tale about the dark side of American greed. But Chandor is too smart to go down that path.

Name : Kyle Smith / Alias : New York Post
"A Most Violent Year" is a small picture, but each brushstroke is laden with detail and craftsmanship.

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Sabtu, 12 Oktober 2013

Ex Machina Volledige Film Streaming

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Alex Garland, writer of 28 Days Later and Sunshine, makes his directorial debut with the stylish and cerebral thriller, EX MACHINA. Caleb Smith (Domhnall Gleeson), a programmer at an internet-search giant, wins a competition to spend a week at the private mountain estate of the company's brilliant and reclusive CEO, Nathan Bateman (Oscar Isaac). Upon his arrival, Caleb learns that Nathan has chosen him to be the human component in a Turing Test-charging him with evaluating the capabilities, and ultimately the consciousness, of Nathan's latest experiment in artificial intelligence. That experiment is Ava (Alicia Vikander), a breathtaking A.I. whose emotional intelligence proves more sophisticated-and more deceptive-than the two men could have imagined. (C) A24

About Ex Machina

Artist : Domhnall Gleeson, Corey Johnson, Oscar Isaac, Alicia Vikander, Sonoya Mizuno, Symara A Templeman, Elina Alminas
As : Caleb, Jay, Nathan, Ava, Kyoko, Lily, Jasmine, Jade, Katya, Amber
Title : Ex Machina Volledige Film Streaming
Release date : 2015-04-24
Movie Code : 0470752
Duration : 108
Category : Drama, Sci Fi, Technology

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Name : Rene Rodriguez / Alias : Miami Herald
Garland's primary concern is his flesh-and-blood characters, even though they are not nearly as showy (or beautiful) as his main attraction, the vulnerable, delicate girl with a heart of steel and wires.

Name : Manohla Dargis / Alias : New York Times
While Mr. Garland wants to tease your brain, he's an entertainer, and in time ditches science and philosophy for romance and action.

Name : Soren Anderson / Alias : Seattle Times
"Ex Machina" is an exquisite puzzle box of a picture. It baffles. It unsettles. It intrigues.

Name : Christy Lemire / Alias : ChristyLemire.com
Ex Machina is the best movie I've seen all year.

Name : Steven Rea / Alias : Philadelphia Inquirer
Like stage actors who live and breathe their roles over the course of months, Isaac, Gleeson, and Vikander excel, and cast a spell.

Name : Liam Lacey / Alias : Globe and Mail
A clever film with one indelible performance from Isaac.

Name : Inkoo Kang / Alias : TheWrap
A chilly yet engrossing drama, elevated beyond its four-people-locked-in-a-house framework by the eerie beauty of the production design and the thoughtful curiosity of Garland's screenplay.

Name : Richard Corliss / Alias : TIME Magazine
The year's most seductive high-IQ drama.

Name : David Edelstein / Alias : New York Magazine/Vulture
Clever novelist and screenwriter Alex Garland makes a half-dandy directorial debut with Ex Machina, a sci-fi film that - like much of his work - fakes excitingly in the direction of breaking new ground before turning formulaic so fast.

Name : Joe Neumaier / Alias : New York Daily News
"Ex Machina" shows there's still life left in tales of artificial intelligence.

Name : Anthony Lane / Alias : New Yorker
"Ex Machina," despite the stutters, slowly finds its grip and starts to squeeze.

Name : Wesley Morris / Alias : Grantland
The writer and director, Alex Garland, keeps the movie so full of doomy atmosphere that expecting the worst sort of becomes a treat. But gradually the hypnosis wears off, the mystique dissipates, and banalities take over.

Name : Guy Lodge / Alias : Variety
Garland's long-anticipated directorial debut synthesizes a dizzy range of the writer's philosophical preoccupations into a sleek, spare chamber piece .

Name : Ignatiy Vishnevetsky / Alias : AV Club
Make no mistake, this is a film of ideas-sadder, quieter, more delicate than the Hollywood sci-fi standard-where every sliding wall of opaque glass suggests something about technology and the way people would use it.

Name : Bill Goodykoontz / Alias : Arizona Republic
It's great when a movie messes with your head.

Name : Richard Roeper / Alias : Chicago Sun-Times
The Swedish actress Alicia Vikander ("The Fifth Estate") infuses Ava with the just the right mixture of iciness, vulnerability and mystery. It's a star-making performance.

Name : Peter Travers / Alias : Rolling Stone
I know, I know. You've seen all this A.I. stuff before. But never like this. Garland is hot for ethical shop talk on what defines humanity or lack of same.

Name : Kyle Smith / Alias : New York Post
It doesn't quite add up in the end, but it's heady stuff anyway, dense with moments of shivery beauty and frightening ideas.

Name : Peter Howell / Alias : Toronto Star
Ex Machina packs a scientist's brain inside a thrill seeker's body, much like the nubile robot within it.

Name : Colin Covert / Alias : Minneapolis Star Tribune
"Ex Machina" is a tense tale of artificial love so intelligently crafted and edgy that I adored it myself.

Name : Tom Long / Alias : Detroit News
"Ex Machina" takes its time, wrestling with questions of responsibility, morality and compassion while getting ever weirder. At its heart is Ava, played with a fine blend of innocence and quiet panic by Vikander.

Name : J. R. Jones / Alias : Chicago Reader
Its aura of cool menace is largely attributable to Isaac, stealing his every scene as the smoothly bullying CEO, and production designer Mark Digby, who created the millionaire's sleek, high-tech mountain fortress.

Name : Lindsey Bahr / Alias : Associated Press
By going deep on a simple construct, Ex Machina establishes itself as a unique and deeply unsettling psychological thriller that's both necessary and unforgettable.

Name : Lisa Kennedy / Alias : Denver Post
[A] methodically absorbing sci-fi drama.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Alex Garland brilliantly brings the past into the present with the near-future tale Ex Machina, a stark but dazzling meditation on intelligence, consciousness and morality that discreetly uses special effects in service of story, dialogue and character.

Name : Ann Hornaday / Alias : Washington Post
"Ex Machina" is a smart, exceptionally stylish head trip.

Name : Kenneth Turan / Alias : Los Angeles Times
Shrewdly imagined and persuasively made, "Ex Machina" is a spooky piece of speculative fiction that's completely plausible, capable of both thinking big thoughts and providing pulp thrills.

Name : Joe Morgenstern / Alias : Wall Street Journal
Sizzlingly smart and agreeably sententious, Mr. Garland's film transcends some all-too-human imperfections with gorgeous images, astute writing and memorably strong performances.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With a stellar cast and seductive look, "Ex Machina" is a sleek contraption for capturing our imagination.

Name : Ty Burr / Alias : Boston Globe
"Ex Machina" isn't quite "Citizen Kane" for an era of Internet tycoons, but it suggests that that's not such a bad idea.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Ex Machina is beautiful and ominous and features another delicately nuanced performance from Isaac, who's quickly making a habit of them. But in the end, for all of Garland's ambition, his reach winds up exceeding his grasp.

Name : Amy Nicholson / Alias : L.A. Weekly
It's the film version of an iPhone: small, expensive-looking and a touch overhyped - plus an addictive sales pitch for whatever Garland makes next.

Name : Trevor Johnston / Alias : Time Out
A bit more intelligence would not have gone amiss.

Name : Michael Phillips / Alias : Chicago Tribune
Garland sidles up to some large ideas, some more provocative than others, and his premise hints at the costs of perpetual, omnivorous surveillance.

Name : Mick LaSalle / Alias : San Francisco Chronicle
It's hard to imagine another director squeezing as many shades and colors from his screenplay as Garland did, and from now on, it would be understandable if he insisted on directing everything he writes.

Name : Claudia Puig / Alias : USA Today
For a first-time director, Garland seems assured. His sharp, sparse dialogue and meticulous direction are equally compelling, and the trio of lead performances are top-notch.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Although "Ex Machina" is small and talky - it has just four characters, and the only action comes at the end - it also looks good. The set direction is interesting and evocative. The effects impress but don't overwhelm.

Name : James Berardinelli / Alias : ReelViews
In the final analysis, the movie doesn't offer much about the subject that hasn't been previously explored, but the soil is fertile and many ideas germinate.

Name : Mark Jenkins / Alias : NPR
Reasonably diverting until its predictable (and predictably misogynistic) outcome.

Name : Rafer Guzman / Alias : Newsday
A neat psychological thriller for the digital age. Great performances compensate for a slightly slim story.

Name : Stephen Dalton / Alias : Hollywood Reporter
For dystopian future-shock fans who can look beyond its basic design flaws, Garland's feature debut functions just fine as superior pulp sci-fi.

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